SEOKIN JANG

The scene in the original Fatal Attraction movie where the wife is taking a shower, and the steam fills the bathroom, creating a tense moment where visibility is reduced, left a strong impression on me. To pay homage to that scene, I designed the graphic background to depict water droplets on a foggy glass window or mirror caused by the steam.

As a designer and animator, I built all the GFX elements included logo animation, intro, titlecards, endpages for all promo spots such as teaser and trailers for TV, social, and DOOH.

SVP, Head of Design: Matt Hernandez
Senior Design Director : Michael Sutton Long
Senior Designer, Motion Design : Seokin Jang
Editors: John Brocker, Hunter Bennett

Paramount Plus

I drew inspiration from Fellow Travelers, a story set in a time when their love couldn’t be openly accepted. Even in the darkness, they held onto hope and protected their love. The show package design uses mostly dark tones, but within that darkness, I used strong shadows with lights to represent the hope they held onto.

As a designer and animator, I built all the GFX elements included logo animation, intro, titlecards, endpages for all promo spots such as teaser and trailers for TV, social, and DOOH.

I wanted to capture the story’s emotions and reflect them in the graphics. Since the timeline was very tight, creating everything from scratch wasn’t realistic. Instead, I used stock footage and images, adjusted the colors to match the drama’s mood, and applied time remapping to add intensity.

The limited time actually led me to unexpected ideas, allowing me to discover new approaches that resulted in a successful outcome. This experience reinforced that, regardless of the constraints, it's always possible to find creative solutions and achieve even better results within the given conditions.

SVP Head of Design: Matt Hernandez
Senior Creative Director: Heidi Berg
Senior Design Director: Michael Sutton Long
Director, Motion Design: Chris Kneller
Senior Designer, Motion Design: Seokin Jang

Paramount+ Showtime

School Spirits (Paramount+) — Motion Design & Animation

The foundational visual identity and design system I established for Season 1 proved to be so enduring and definitive that Paramount continued to leverage my original graphics as the core look of the franchise through Season 3.

For Season 2, the client requested a narrative-driven evolution that remained tightly anchored to that original Season 1 aesthetic. To capture the story's focus on duality—Maddie as a ghost and Janet inhabiting her body—I introduced a bold dividing line across the assets. I retained the established paper texture but layered it with a gritty cement texture to evoke a subterranean high school basement vibe, using high-impact motion and an RGB splitter effect to visualize a soul leaving its body.

As a key designer and animator for Seasons 1 and 2, I built the comprehensive motion toolkit—including the logo animation, title cards, endpages, and promotional spots—that ultimately defined the visual legacy of the entire series.

The Concept: Systemic Overlap

"The core theme of Mayor of Kingstown is about a man trying to maintain a fragile veneer of order while the gritty, corrupt reality of the city slowly closes in and suffocates everything."

The Clean Surface: The animation begins with a stark, solid white typeface, representing the illusion of law, order, and the pristine authority expected from a "Mayor."

The Gritty Fade-In: As the motion progresses, a dark, corroded texture slowly fades in, layering directly over the white text. It visually smothers the clean surface rather than replacing it.

The Narrative Link: This fading overlay visually articulates the inescapable weight of the city. The clean facade isn't erased—it is gradually corrupted and consumed by the unavoidable rot of Kingstown.

Production : A MTV Studios Production
Producer : Taylor Sheridan and Hugh Dillon

Paramount+
Design Director: Michael Sutton Long
Paramount Network
Director Motion Design: Kazuomi Iwai
Art Director: Brandon Lori
Senior Animator: Seokin Jang

Paramount Plus

Say oui to new possibilities! Emily in Paris, a new series from Creator of Sex and the City, Darren Star, premieres October 2. Only on Netflix.

Production: A MTV Studios Production
Producer: Darren Star
Design Director: Michael Sutton Long
Art Director: Kay Lee, Katie Dominguez
Senior Animator: Seokin Jang

Netflix

Yellowstone Season1 Photo Montage Tease spot by Paramount Network

Creative Director: Dominique Vitali & Andre Razo
Design Director: Michael Sutton Long
Art Director: Alysson Castro, Milinda Zumpano & Kay Lee
Senior Animator: Seokin Jang

Official Website “Yellowstone”

To convey a message of hope through Dr. Agus, I used bright colors, simple gradients, and bright light effects with lens flares throughout the design. This approach aims to provide viewers with a sense of stability and comfort.

As a designer and animator, I built logo animation, titlecards, the endpage, and all promo spots for the checkup, such as trailers & teasers.

Senior Design Director: Michael Sutton Long
Director Design: Scott Regier
Senior Designer, Motion Design: Seokin Jang

Skydance

Participated promo spots, motion poster, and social promo spots

Senior Design Director: Michael Sutton Long
Senior Designer: Seokin Jang

Paramount Plus

After 32 years as a border patrol agent, Ben Clemens (Michael Chiklis) is forced to work for the very people he spent his career trying to keep out of America. Now exposed to life on the other side of the wall, Ben will start to question his black and white views of the world, challenging his ideology and his loyalties. Stream full episodes of Coyote exclusively on Paramount Plus.

Paramount Network:
Art Directors: Milinda Zumpano, Alysson Castro & Yenting Chuang
Senior Animator: Seokin Jang
Creative Director Design: Michael Sutton-Long
VP Design: Dominique Vitali
Design Project Manager: Alexandra Jacoby
Editorial Creative Director: Nicole Dobbs
VP Brand Creative: Mike Davidowitz
SVP Brand Creative: Terry Minogue

CBS All Access:
Creative Director, Design: Michael Sutton-Long
Designer: Robin Spehar
Senior Manager Video Production: Steve Davis
SVP Design: Matt Hernandez
VP Creative Director: Angela Gervasio-Hewett
SVP Brand Creative: Terry Minogue
SVP Creative Director: Sarah Labrache

Heathers Motion Poster by Paramount Network

Creative Director: Dominique Vitali & Andre Razo
Design Director: Michael Sutton Long
Senior Animator: Seokin Jang

Gold Winner of Multimedia Program Image from Promax Global Excellence Awards 2019 (LINK) 

Official Website HEATHERS

LIP SYNC BATTLE [LL Cool J & Chrissy Teigen’s “It Takes Two” Season 5 Music Video]
SVP Brand Creative: Terry Minogue
VP On-Air Creative: David Phillips
VP Creative Director, Design: Andre Razo
Executive Producer: Kelli Garrahan
Project Manager, On-Air: Mariel De Jesus
Editorial Director: Brian Trichon
Sr. Project Manager, Design: Emily Scalfone
Art Director: Yenting Chuang
Design Director: Chris Cushing
Senior Animator: Seok In Jang
Producer: Rob Monforto
Production Manager: James Lampmann
Director/Editor: Ira Rosensweig
Director of Photography: Damian Acevedo
Production Designer: John Richards
Costume Designer: Jeanie Cheek
Colorist: Bryan Smaller, Company 3
Audio Mixer: Rommel Molina, Beacon Street Studios
Choreography: Danielle Flora

Two Gold, One Silver, and Two Bronze Winner of Entertainment Program Promo, Set Design & Webisode from Promax Global Excellence & North America Awards 2019 (LINK) 

Official Website “Lip Sync Battle”
IMDb
PROMAX

SEASON2
Creative Director Dominique Vitali
Motion & Edit Director Janice McDonnell
Art Director Katie Dominguez
Animator Seokin Jang & Chase Gordon

Official Website TEACHERS

The Project Description : Two animated graphics for Dairy Queen's cross-network promotion. One for DQ Eats and one for DQ Treats. These graphics would be used by TV Land, CMT, VH1, Comedy Central, Spike and VH1 Classic and incorporated into their co-branded tune-ins.

Client : Dairy Queen
Art Director : Seokin Jang
Sound FX Designer : John Wilkinson

Animated the motion portraits for Star Trek Discover characters individually for social platforms.

Senior Design Director : Michael Sutton Long
Lead Designer : Robin Spehar
Senior Designer : Seokin Jang

Paramount Plus

SEASON1
Creative Director: Michael Waldron
Art Director: Dominique Vitali
Motion & Edit Director: Kurt Hurtman
Animator: Seokin Jang & Andrei Dan

SEASON2
Creative Director: Michael Waldron
Motion & Edit Director: Kurt Hurtman
Art Director: Kay Lee
Animator & Graphic Designer: Seokin Jang
Animator: Michael Costabile

SEASON3
Creative Director: Dominique Vitali
Motion & Edit Director: Janice McDonnell
Art Director: Kay Lee
Animator: Seokin Jang & Michael Costabile

SEASON4
Creative Director: Dominique Vitali
Motion & Edit Director: Janice McDonnell
Art Director: Kay Lee
Senior Animator: Seokin Jang

SEASON5
Creative Director: Dominique Vitali
Animation Director: Michael Sutton Long
Art Director: Kay Lee & Yenting Chung
Senior Animator: Seokin Jang

SEASON7
Design & Animation Director: Michael Sutton Long
Art Director: Yenting Chung
Senior Animator: Seokin Jang

Official Website YOUNGER
PROMAX

Design Director: Michael Sutton Long
Art Director: Jay Ross
Senior Animator: Seokin Jang

Directed by Seokin Jang
BGM : "Piste 07" by Oso El Roto

The Star Trek series, one of Paramount’s most iconic shows, has a loyal and passionate fan base. The strong dedication of fans almost feels like a kind of religious devotion. To capture this feeling, I wanted to add a touch of religious imagery by using stained glass—a symbol often seen in Catholicism—to show the Star Trek logo. This approach highlights the respect and admiration fans have for the series in a visual way.

For Season 2 of Star Trek: Strange New Worlds, we teamed up with talented artists and agencies worldwide, including teams from Ireland, India, New Zealand, the US, China, Brazil, Uruguay, and our in-house team at Paramount+. Together, we created something truly unique and collaborative.

100 Best Places You’ve Never Been is a 30-second commercial series on TV Land. Each week, the show recommends a great travel destination in the U.S. along with a featured sponsor’s product. Each spot includes a 3-second opening graphic. Instead of using the same opener for every episode, we decided to create a unique opening graphic tailored to each destination.

Because the title is quite long, I designed a rectangular logo to contain the text, giving it the look of a real logo. The rectangular shape animates by wrapping around the words “100 Best Places,” symbolizing the idea of traveling.

The background is customized for each episode using an image related to the featured destination. Elements like floors, walls, or natural environments subtly hint at the location and spark curiosity in viewers. I also added shadows to the background to give another clue about the destination, while suggesting ideal weather for travel.

The main challenge was time. Creating a new opening graphic for every episode each week was not realistic. To solve this, I pre-rendered the 3D logo animation in After Effects with adjustable color grading. For the background, I used a still image and transferred the Camera Null data from Cinema 4D to After Effects. This allowed for fast and easy updates, making the system flexible and accessible for anyone to use.



Host: Jamie Lee
Creative Director: Michael Waldron
Producer: Ward McCathy
Art Director: Seokin Jang
3D Animator: Seokin Jang, Ryan O'hare
Wardrober: Vanessa Bateau

Sponsored by
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Creative Director, Design: Dominique Vitali
Graphic Designer : Tiffany Chen
Senior Motion Design : Seokin Jang
Editors: Kyle Gilbertson, Sarah Park, Chuck Sterling, Adam Scott

Lego

Client: Hilton
Agency: Saylor
Creative Director: Dominique Vitali
Senior designer: Tony Safran
Senior motion designer: Seokin Jang